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We felt that we were part of something special that just belonged to that moment and we loved everything about it from the drag celebrities that emerged. It wasn’t really until the 2000s that every gay club almost played top 40. “The music was house,” Linda remembers, “and the drug was ecstasy-a feel good drug-so the atmosphere was upbeat.” The clubs were places to experiment, says Bunny: The early lack of mainstream exposure was probably for the best, as the scene could thrive without interference, not only from the cops but from bland, commercial music and negativity. Less celebrity impersonation and more becoming your own character.” It was “a hedonistic, wild atmosphere,” remembers Simpson, “because I think the police were too busy dealing with crime, that they didn’t have time or clubs weren’t much of a concern.” They became a neighborhood bar that catered to a predominately gay and lesbian clientele. (718) 788-2710 Richard Kennedy and Mark Nayden, the founder of Excelsior, wanted to have an extension of everyone’s living rooms. No, the Super Bowl is the gay Super Bowl, Pietro corrects. Drag Race is like the gay Super Bowl, says Steven. “D-Lite, RuPaul, Anohni, formerly known as Antony and the Johnsons, all came out of that scene. 2019: Brooklyn Voted Excelsior Best Gay Bar Excelsior. At Metropolitan, my apparent interest in RuPaul yields a business card from someone who tells me he runs another gay bar in Manhattan, in case I’m interested in going sometime. “A lot of the Pyramid queens are legendary,” says Bunny in conversation with Simpson about the book. Oscar Isaac attended a viewing party for the season finale of Rupaul’s Drag Race at a gay bar in Brooklyn. Simpson’s photography “captures this pivotal scene’s crossover with ballroom and voguing culture, pop art, and ‘90s ‘club kids,’” writes Lawrence Ferber. That is exactly what happened though, when Moon Knight star Oscar Issac attended a viewing party for the Season 14 season finale at Metropolitan Bar in Brooklyn, New York. The book highlights her formative role in the scene that grew up in East Village clubs like the Pyramid and Danceteria. Wigstock, the annual drag festival she founded in 1985, became the subject of a new documentary film, Wig and her longtime friend Linda Simpson published The Drag Explosion, a photographic history with an introduction by Lady Bunny. While the pandemic has devastated the club culture she helped shape, the drag comedian had a banner year. Of all the personalities to emerge from the New York drag scene of the 1980s and 90s – including, of course, RuPaul Charles -few have been, or still remain, as big as Lady Bunny.